STUDIO STATEMENT
I dub the praxis of incorporating flying, riding, floating, walking, hiking, and driving to make and/or inform works of art to be that of a "roving" art practice.
As a rover, I am aesthetic transient who uses art to reconcile nomadic relationships with humans and the land; existing within slivered roles of trespasser and visitor, vulnerability and potentiality.  I connect and remix emergent new and unfixed (and/or unnoticed or unseen) spaces to form transformative potential in terms of material objects, perceptions, connections and shared commonalities that can bring people together.  From this, I primarily produce relationally-specific forms/ephemera void of both expectation and history (though not oblivious to it).   
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